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How did you plan your shot?
“Once I had the original idea, my planning process started with, “Who is this character? I wanted it to feel as genuine as possible.” – Noelia EncarnacionWhat was your workflow?
“Drawing it out and making an animatic was really useful because I could get the timing right beforehand. I think that helped speed me up a lot.” – John Cimino “For my first pass I blocked every 8 frames. Then you break it down and do every 4 frames and then every 2 frames, and that’s the first pass with blocking.” – Annamaria HaasbroekWhat are the best tips and tricks you learned from class?
“I retook class 4, not because I failed or got a bad grade. I did it because I felt I hadn’t learned as much as I needed to learn to progress.” – Poppy Quesnel “Focus on the body, don’t focus on the face [when you start a shot.” – Annamaria Haasbroek “Use the grease pencil tool in Maya so you can push your poses by drawing inside of Maya.” – Bob WilsonOn a related note, congratulations to Annamaria and Matei, who recently started working at Pixar and Illumination Mac Guff! It’s so cool to see how your showcase shots opened up new opportunities for you both.